Tag Archives: Contemporary Wing

Slow Art Day at the BMA

Tomorrow is Slow Art Day, a day that encourages slow, detailed looking at art. You will find that when you spend more time with a work of art, you make discoveries that you would not otherwise experience. My colleague at the BMA Katie Bachler and I came up with some suggestions for exploring art slowly at the museum.

Explore art slowly
Allow yourself to look at only 3-5 works of art during your visit. With those 3-5 works, spend longer time with each work, as if they were old friends you are happy to see, and soak in their energy. As you spend time with each work, allow yourself to notice new details, subtle colors and textures, and even the space around the art.  Being with works of art in this way can be very relaxing. Resist temptations to overthink concepts and ideas and try to spend more time with the sensual qualities in each work of art.

Here are some selected works and some slow ways to enjoy being with them.

American Wing
Find William Picknell’s large painting Paysage (A Winter Day in Brittany) in the American Wing. (A Visitor Services Associate can point you to the central gallery on the east side of the Wing.)

William Lamb Picknell. Paysage (A Winter Day in Brittany). 1881. Oil on canvas. W. Clagett Emory Bequest Fund, in Memory of his Parents, William H. Emory of A and Martha B. Emory. BMA2011.44

William Lamb Picknell. Paysage (A Winter Day in Brittany). 1881. Oil on canvas. W. Clagett Emory Bequest Fund, in Memory of his Parents, William H. Emory of A and Martha B. Emory. BMA 2011.44

As you look at the painting, take a breath. Breathe in for 4 counts and out for 8 counts. Notice the space around the person and the cool, crisp air. Imagine the sound of the horse trotting and the smell of the wet earth.

Take a second breath. Walk closer. Notice the myriad shades of vivid colors hidden in the brown and grey tones. Take a close up photograph of your favorite hidden colors.

Take a third breath. Just be with the painting. Where does your eye go? Where does your mind go?

European Galleries
Once in this contemplative space, head over to the European galleries. Find the still life by Dutch artist Abraham Mignon, Garland of Fruit and Flowers.

Abraham Mignon. Garland of Fruit and Flowers. Late 1660s. Oil on canvas. Gift of William A. Dickey, Jr. BMA1957.32

Abraham Mignon. Garland of Fruit and Flowers. Late 1660s. Oil on canvas. Gift of William A. Dickey, Jr. BMA 1957.32

Notice the fruits and flowers brimming with life as they reach forward, out of the darkness.

Step closer. Imagine hearing the water droplets falling to the ground. Listen closely to hear the fluttering wings of the moths and the sounds of the insects eating away at the foliage.

Take a deep breath. Imagine a time lapse. What will happen in 10 minutes, 11 days, 12 weeks, 13 months, 14 years?

Contemporary Wing
Meander over to the Contemporary Wing. Find the sculpture by John McCracken, Untitled (Light Chromium Yellow Plank).

John McCracken. Untitled (Light Chromium Yellow Plank). 1980. Polyresin and fiberglass on plywood. Fanny B. Thalheimer Memorial Fund. BMA1992.6

John McCracken. Untitled (Light Chromium Yellow Plank). 1980. Polyresin and fiberglass on plywood. Fanny B. Thalheimer Memorial Fund. BMA 1992.6

Breathe in and imagine your body lengthening to the height of the piece.
Breathe out slowly and allow your body to relax. Stand comfortably like this for a little while, taking in the brilliant yellow shaft of sunlight embodied.

Take a few steps to the side of the piece and notice the gentle way it rests against the wall. Take in the subtle grey tones of the shadows that fan softly onto the wall.

Breathe in and step close to the surface of the sculpture. Breathe out and notice your reflection on the surface. Continue observing the surface and notice the space around you also reflected. Stand quietly feeling the space around you and between you and the sculpture.

These are just a few ways that you can explore the BMA slowly. Be sure to sit and relax while at the museum exploring the art. On Slow Art Day, you can also attend our 10 Chairs event. Reflect with 10 scholars on 10 iterations of the humble chair in the BMA’s collection.

Slow Art Day is April 11th, 2015. 10 Chairs is on at the BMA from 2pm-4pm.

BMA Voices: Why is the BMA stockpiling fluorescent lamps?

Dan Flavin. Untitled (To Barnett Newman for "Who's Afraid of Virginia Woolf"). 1993 1994. The Baltimore Museum of Art: The Caplan Family Contemporary Art Fund, and Collectors Circle Fund, BMA 1993.210. © Stephen Flavin / Artists Rights Society (ARS), New York

Dan Flavin. Untitled (To Barnett Newman for “Who’s Afraid of Virginia Woolf”). 1993-1994. The Baltimore Museum of Art: The Caplan Family Contemporary Art Fund, and Collectors Circle Fund, BMA 1993.210. © Stephen Flavin / Artists Rights Society (ARS), New York

Angie Elliott, Associate Objects Conservator

The Museum has a stockpile of fluorescent lamps (bulbs) that are so important that we keep them stored away in a vault. While I used to think of cubicle-laden offices and big box stores when I thought of fluorescent lighting, now my mind goes to the challenges of preserving contemporary art.

Dan Flavin’s Untitled (To Barnett Newman for “Who’s Afraid of Virginia Woolf”), 1993-1994, is the reason we have such an important collection of lighting supplies. His installation of red, yellow, and blue fluorescent lamps lights up a corner in the back of the Contemporary Wing. Using both long and short lamps, the work forms a column that stretches 24 feet from the second floor through the ceiling to the third floor. The light reaches beyond the physical lamps and ballasts and transforms the surrounding space and architecture. I love that I can walk by the museum at night and catch glimpses of this light bouncing from this rear corner through the large glass windows in the front of the Contemporary Wing.

Flavin uses an everyday and familiar technology in an unfamiliar way, but what happens when the everyday and familiar are no longer that? Lighting technology is rapidly changing to keep up with new environmental and energy regulations. If you’ve bought a light bulb in the past few years, you’ve noticed that how quickly those changes are happening. We’ve gone from incandescent to compact fluorescents in just a few years with LEDs quickly coming on the scene. The fluorescent lamp as we know it will likely disappear in the future… so how does that affect Dan Flavin’s art?

Museums and collectors have already faced challenges as lamp colors have varied over time. Colors have shifted as different manufacturers take on what a red, yellow, or blue should be. Dan Flavin’s Estate has taken an active role in dealing with the issues of aging lamps and technology. Ten years ago, we joined with other museums and collectors to have our lamps specially produced. Never fear – our Flavin should remain unchanged for years to come, but we do have challenges to face in the coming decades.

photo (1)

photo 1 (3)

BMA Voices is an insider’s exploration of The Baltimore Museum of Art collection through the eyes of its curators, conservators, and registrars. Featuring a new object every day during the BMA’s 100 Day Celebration, the project will highlight some favorite, amusing, unusual, and obscure objects.

Reproduction, including downloading of ARS licensed works is prohibited by copyright laws and international conventions without the express written permission of Artists Rights Society (ARS), New York.

.