Tag Archives: #artbma

Spitting Images

For all of the spectators at the BMA and online who got a glimpse of last Saturday’s Areas for Action event with artist Oliver Herring, here is an interview with two of the participants, Lulu Bao and Kel Millionie, who share what the experience was like for them:

What inspired you to participate in this art event?

Lulu Bao - half-way through her Areas for Action experience

Lulu Bao – half-way through her Areas for Action experience

LULU: It was the email I received from BMA Volunteer Coordinator Rachel Sanchez mentioning the wall painting with Oliver Herring. The image of being part of the art project came in to my mind suddenly, then I thought I couldn’t miss the chance to have this unique life experience. I wanted to step a bit out of my comfort zone and embrace something I have never done before.

KEL: I’ve been an admirer of Oliver Herring’s work since before we acquired his Areas forAction portfolio of videos and portraits in 2011. I wanted to experience his art from the perspective of a participant vs. a spectator or viewer.

Were you surprised by how often you were directed to spit on each other? How would you describe that experience?

LULU: I was not very surprised because I watched some videos of Areas for Action on YouTube before the event. I think the experience created an intimate connection between us as volunteers, as well as with the artist and the audience. Some key words in my mind to describe my experience would be: excited, open-minded, and emotional.

KEL: I was not surprised at how many times I was spat upon or spat onto others.

Kellan Johnson (l) and Kel Millionie (r) in Areas for Action.

Kellan Johnson (l) and Kel Millionie (r) in Areas for Action.

I’ve watched many of Oliver Herring’s videos and they show this as part of the process. Regarding being spat upon: at first it is quite jarring, cold, and shocking to be spat upon so forcefully.  Many people have said they find it “gross” or “unsanitary,” but I did not feel it was either.

How has participating in the event as a volunteer change the experience for you?

LULU: Becoming part of the art performance gave me a chance to understand the artist’s thoughts from a different angle. By transferring my identity from an art viewer to a member in the performance, I felt more involved. I asked the artist about his thinking of controlling and losing control during the process because for most of the time we were trying to do the things as he wanted, but at some points we were able to choose colors or areas that we wanted to spray. There was some certainty and some uncertainty of this event outcome and I don’t think I would have considered that if I hadn’t been part of the experience.

KEL:  I find his process of directing volunteers to create his art familiar because I am a theater director and designer and often tell performers how to move and behave in controlled spaces.

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Artist Oliver Herring directing Areas for Action volunteers.

What was your favorite moment?

LULU: I love the moment when I was asked to climb to someone’s shoulder, because at that moment I had to trust someone I just met.  I memorized the feeling of holding his hands and trusting the artist and my partner so well even several days after the event.

KEL: Looking in the mirror after the four-hour experience was over.

Do you have any advice for future Areas for Action volunteers?

LULU: I would suggest future volunteers to go to restrooms right before the performance and get ready for not going there for hours (like a half-day). :)  Also, it is necessary to get used to bare feet because wet socks won’t feel good if you have to step into the colored water. Trying not to laugh while having water in your mouth is important, otherwise, you may choke, which can be a bit unpleasant.

KEL: Give in!

We heart art!

Auguste Rodin. The Thinker. Original model 1880; this cast 1904‑1917. The Baltimore Museum of Art: The Jacob Epstein Collection, BMA 1930.25.1

Auguste Rodin. The Thinker. Original model 1880; this cast 1904‑1917. The Baltimore Museum of Art: The Jacob Epstein Collection, BMA 1930.25.1

Last weekend, we celebrated Valentine’s Day at the BMA by asking visitors to share their love for art, and place a paper heart on the floor in front of an artwork crush. We had a great time watching people decide which works of art deserved their love. One couple wandered around the BMA for hours, hearts clutched in their hands, debating which work was their favorite. Dozens of children ran up to the Welcome Desk multiple times, unable to choose only one work of art to love.

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In three days, there were 1705 hearts placed next to the works of art. From that, your most loved works were:

61 hearts Auguste Rodin The Thinker Original model 1880; this cast 1904-1917
48 hearts Edgar Degas Little Dancer, Aged Fourteen Original model 1881; this cast 1919-1921.
29 hearts Nick Cave Soundsuit 2013
28 hearts Louis Comfort Tiffany Window: Baptism of Christ c. 1897
23 hearts Henri Matisse Purple Robe and Anemones 1937
23 hearts Pablo Picasso Mother and Child 1922
20 hearts Auguste Rodin The Kiss Original model c. 1880-1881; this cast before 1923
20 hearts Dario Robleto American Seabed 2014
19 hearts Hugh Finlay Center Table 1820-1830
18 hearts Jean-Baptiste-Camille Corot Thatched Village (Flesselles, near Amiens) 1864

Visitors were also invited to photograph their heart and favorite work of art, and post to Instagram or Twitter, tagged with #artbma #heartsforart for a chance to win a BMA Catalogue. We are pleased to announce that @draloysius (Twitter) was the winner. We’ll be in touch to discuss how you can collect your prize.

Thank you everyone who participated in #heartsforart. We loved seeing what you love. It made our week!

Our Visitor Services team loved being part of #heartsforart.

Our Visitor Services team loved being part of #heartsforart.

Much love for Nick Cave. Soundsuit. 2013. The Baltimore Museum of Art: Fanny B. Thalheimer Memorial Fund, and Ellen W. P. Wasserman Acquisitions Endowment, BMA 2013.325. © Nick Cave. Courtesy of the artist and Jack Shainman Gallery, New York

Much love for Nick Cave. Soundsuit. 2013. The Baltimore Museum of Art: Fanny B. Thalheimer Memorial Fund, and Ellen W. P. Wasserman Acquisitions Endowment, BMA 2013.325. © Nick Cave. Courtesy of the artist and Jack Shainman Gallery, New York

Olafur Eliasson. Flower observatory. 2004. The Baltimore Museum of Art: Fanny B. Thalheimer Memorial Fund, and Collectors Circle Fund, BMA 2003.233. © Olafur Eliasson

Olafur Eliasson. Flower observatory. 2004. The Baltimore Museum of Art: Fanny B. Thalheimer Memorial Fund, and Collectors Circle Fund, BMA 2003.233. © Olafur Eliasson

Edgar Degas. Little Dancer, Aged Fourteen. Original model 1881; this cast 1919‑1921. The Baltimore Museum of Art: Alice Morawetz Bequest Fund, BMA 1943.1

Edgar Degas. Little Dancer, Aged Fourteen. Original model 1881; this cast 1919‑1921. The Baltimore Museum of Art: Alice Morawetz Bequest Fund, BMA 1943.1

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Inspire your heart with art this weekend

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Sir Anthony Van Dyck. Rinaldo and Armida. 1629. Oil on canvas, 93 x 90 in. (235.3 x 228.7 cm) The Jacob Epstein Collection, BMA 1951.103

 

This Valentine’s weekend, share your love for art with #HeartsforArt. Museums all over the country are inviting visitors to show their love for a favorite work of art by placing a paper heart on the floor in front of an artwork crush. Spread the love by photographing your heart and favorite work, and posting to Twitter or Instagram using #artbma #heartsforart.

How it works:
Step 1: Pick up a paper heart at the Welcome Desk.
Step 2: Place the heart on the floor in front of a work of art you love.
Step 3: Photograph your heart and favorite work of art, and post to Instagram or Twitter, tagged with #artbma #heartsforart for a chance to win a BMA Catalogue.

We’ll announce the winner next week on Instagram and Twitter.

Follow the hearts throughout the museum to see what brings others to say “I do”, or see what art-lovers across America are passionate about by following the #heartsforart hashtag on social media.

Will you play hard to get and visit all of the galleries before choosing your favorite or be direct and go right to ‘the one’? We can’t want to see what you fall in love with.

Thanks to our museum friends at the Oakland Museum of California and Columbus Museum of Art who initiated the #heartsforart program, and invited the BMA to be involved.