Author Archives: Jay Fisher

The BMA Looks Forward

2015 Front StepsDirector Doreen Bolger’s retirement at the end of June has prompted the Board of Trustees to begin the search for a new director to lead the BMA as it enters its second century. A committee has been formed to conduct an international search and they are also interested in harnessing ideas from everyone to help them find the next leader for our beloved institution.

BMA Trustee Michael Rosenbaum was named chairman of the nine-member search committee, which is comprised of Trustees with a broad range of public and private sector experience. The other committee members are Clair Zamoiski Segal; former Board Chairs Suzanne F. Cohen, Stiles Tuttle Colwill, and Margot W.M. Heller; and Trustees William Backstrom, Alexander C. Baer, Patricia H. Joseph, and James D. Thornton.

The committee has already had its first meeting and plans to engage an international search firm to ensure candidates are considered from a diverse array of backgrounds, professional experience, and geography. They also want to hear from individuals and groups who are currently or in the past have been involved with the BMA, as well as others who may never even have considered how their interests and concerns connect with those of an art museum.

As of now, they are not yet soliciting thoughts about specific director candidates or qualifications for the new director. Instead, they would be most grateful for your thoughts about the following questions:

  • What do you want to see from the BMA in the coming years?
  • What would you like to see the BMA become in the next decade?

BMA Voices: “The Yellow Dress”, part four.

Henri Matisse. The Yellow Dress. 1929 1931. The Baltimore Museum of Art: The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland, BMA 1950.256. © 2014 Succession H. Matisse/Artists Rights Society (ARS), New York

Henri Matisse. The Yellow Dress. 1929 1931. The Baltimore Museum of Art: The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland, BMA 1950.256. © 2014 Succession H. Matisse/Artists Rights Society (ARS), New York

This is the final of four explorations into Henri Matisse’s “The Yellow Dress” by Jay Fisher, Deputy Director for Curatorial Affairs. In this piece, we consider the collector. How did The Yellow Dress come to Baltimore, and become part of the BMA’s collection? And what does that tell us about Matisse?

Review the previous videos in this series: In part one, we find out more about Matisse’s process, and discover how this dress relates to his history and life. In part two, we see some of the studies for the painting, and learn more about other related works. Part three shows us two paintings that followed The Yellow Dress, to see how Matisse’s work developed after this important piece.

BMA Voices is an insider’s exploration of The Baltimore Museum of Art collection through the eyes of its curators, conservators, and registrars. Featuring a new object every day during the BMA’s 100 Day Celebration, the project will highlight some favorite, amusing, unusual, and obscure objects.

Reproduction, including downloading of Henri Matisse works is prohibited by copyright laws and international conventions without the express written permission of Artists Rights Society (ARS), New York.

BMA Voices: “The Yellow Dress”, part three.

This is the third of four explorations into Henri Matisse’s The Yellow Dress by Jay Fisher, Deputy Director for Curatorial Affairs. In part one, we find out more about Matisse’s process, and discover how this dress relates to his history and life. In part two, we see some of the studies for the painting, and learn more about other related works. 

In this episode, we look at two paintings that followed The Yellow Dress, to see how Matisse’s work developed after this important piece.

Featuring:

Henri Matisse. Large Reclining Nude. 1935. The Baltimore Museum of Art: The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland, BMA 1950.258. © 2013 Succession H. Matisse/Artists Rights Society (ARS), New York

Henri Matisse. Interior with Dog. 1934. The Baltimore Museum of Art: The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland, BMA 1950.257. © 2013 Succession H. Matisse/Artists Rights Society (ARS), New York

BMA Voices is an insider’s exploration of The Baltimore Museum of Art collection through the eyes of its curators, conservators, and registrars. Featuring a new object every day during the BMA’s 100 Day Celebration, the project will highlight some favorite, amusing, unusual, and obscure objects.

Reproduction, including downloading of Henri Matisse works is prohibited by copyright laws and international conventions without the express written permission of Artists Rights Society (ARS), New York.

BMA Voices: “The Yellow Dress”, part two.

This is the second of four explorations into Henri Matisse’s “The Yellow Dress” by Jay Fisher, Deputy Director for Curatorial Affairs.

Featuring:

Henri Matisse. The Yellow Dress. 1929‑1931. The Baltimore Museum of Art: The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland, BMA 1950.256. © 2014 Succession H. Matisse/Artists Rights Society (ARS), New York

Henri Matisse (French, 1869‑1954). Study for “The Yellow Dress”. 1929‑1931. The Baltimore Museum of Art: Gift of Bernice and Donald Levinson in Memory of their Daughter, Nancy, BMA 2001.336. © 2013 Succession H. Matisse/Artists Rights Society (ARS), New York

Henri Matisse (French, 1869‑1954). Study for “The Yellow Dress”. c. 1929‑1931. The Baltimore Museum of Art: Marguerite Matisse Duthuit Collection, BMA 2008.22. © 2013 Succession H. Matisse/Artists Rights Society (ARS), New York

Henri Matisse. Odalisque with Green Sash. 1926. The Baltimore Museum of Art: The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland, BMA 1950.253. © 2013 Succession H. Matisse/Artists Rights Society (ARS), New York

Henri Matisse. Seated Odalisque, Left Knee Bent, Ornamental Background and Checkerboard. 1928. The Baltimore Museum of Art: The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland, BMA 1950.255. © 2013 Succession H. Matisse/Artists Rights Society (ARS), New York

Henri Matisse. The Yellow Dress. 1929 1931. The Baltimore Museum of Art: The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland, BMA 1950.256. © 2014 Succession H. Matisse/Artists Rights Society (ARS), New York

Henri Matisse. The Yellow Dress. 1929 1931. The Baltimore Museum of Art: The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland, BMA 1950.256. © 2014 Succession H. Matisse/Artists Rights Society (ARS), New York

BMA Voices is an insider’s exploration of The Baltimore Museum of Art collection through the eyes of its curators, conservators, and registrars. Featuring a new object every day during the BMA’s 100 Day Celebration, the project will highlight some favorite, amusing, unusual, and obscure objects.

Reproduction, including downloading of Henri Matisse works is prohibited by copyright laws and international conventions without the express written permission of Artists Rights Society (ARS), New York.

BMA Voices: “The Yellow Dress”, part one.

Henri Matisse. The Yellow Dress. 1929 1931. The Baltimore Museum of Art: The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland, BMA 1950.256. © 2014 Succession H. Matisse/Artists Rights Society (ARS), New York

Henri Matisse. The Yellow Dress. 1929 1931. The Baltimore Museum of Art: The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland, BMA 1950.256. © 2014 Succession H. Matisse/Artists Rights Society (ARS), New York

This is the first of four explorations into Henri Matisse’s “The Yellow Dress” by Jay Fisher, Deputy Director for Curatorial Affairs. 

BMA Voices is an insider’s exploration of The Baltimore Museum of Art collection through the eyes of its curators, conservators, and registrars. Featuring a new object every day during the BMA’s 100 Day Celebration, the project will highlight some favorite, amusing, unusual, and obscure objects.

Reproduction, including downloading of Henri Matisse works is prohibited by copyright laws and international conventions without the express written permission of Artists Rights Society (ARS), New York.