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Top 6 Prints, Drawings, Photographs at The Baltimore Museum of Art

BMA Curatorial Assistant Morgan Dowty took over our Instagram feed this week to showcase some of her favorite images in our renowned Prints, Drawings & Photographs Collection.

In case you missed it, here’s a roundup of her top six picks from the BMA’s collection of 65,000 works on paper:

  1. Morgan Dowty, BMA Curatorial Assistant, signing on from the Department of Prints, Drawings & Photographs to bring you some of my favorite works on paper this week. With 65,000+ works on paper in the collection, there are plenty to choose from! I’ll begin with a favorite suite of engravings by Wenceslaus Hollar, “Diversa insectorum aligerorum,” c. 1646.

[Wenceslaus Hollar (Bohemian, 1607-1677) “Diversae insectorum aligerorum,” c. 1646. Eight etchings. Each approximately: 115 × 180 mm. (4 1/2 × 7 1/16 in.) Garrett Collection. BMA 1946.112.2413-20]

2. Tantalus, Icarus, Phaeton, and Ixion are four mythological figures whose hubris caused them to fall from Mount Olympia. In this suite of the “Four Disgracers,” Hendrick Golzius, master engraver of the 16th century, captures the falling body from all angles.

[Hendrick Goltzius (Dutch, 1558-1617) after Cornelis Cornelisz. van Haarlem (Dutch, 1562-1638). “The Four Disgracers,”1588. Four engravings. Gift of Ruth Cole Kainen, in Honor of Jay McKean Fisher, Senior Curator of Prints, Drawings and Photographs, BMA 2005.47 / Gift of James and Leslie Billet, Baltimore, BMA 1983.11 / Blanche Adler Memorial Fund, BMA 2013.357 / Garrett Collection, BMA 1984.81.137]

3. This album by Charles Norman Sladen is a new one of my favorites. On each page, Sladen includes photographs from a family vacation in 1916 to Great Chebeague Island, which he expands through imaginative pen and ink drawings. Scroll right to see some detail shots!

[Charles Norman Sladen (American, 1858-1949). “Great Chebeague Island, Maine,” 1916. Album of black ink drawings and gelatin silver print collages, bound with leather and fabric cover. The William G. Baker, Jr. Memorial Fund. BMA 2001.289]

4. In this self-portrait, Käthe Kollwitz captures her own likeness in just a few precise marks.

This image is owned by The Baltimore Museum of Art; permission to reproduce this work of art must be granted in writing. Third party copyright may also be involved.

This image is owned by The Baltimore Museum of Art; permission to reproduce this work of art must be granted in writing. Third party copyright may also be involved.

[Käthe Kollwitz (German, 1867-1945). “Self-portrait,” 1924. Woodcut. Blanche Adler Memorial Fund, BMA 1956.176]

5. Printmakers often pull working proofs, or test prints, as they develop an image to track their progress. Swipe to compare these two states of Felix Bracquemond’s portrait of the French literary critic Edmond de Goncourt.

[Félix Bracquemond (French, 1833-1914). “Edmond de Goncourt,” 1879-1882. Etching. Purchased as the gift of Mrs. Fenwick Keyser, Reisterstown, Maryland, BMA 1997.19 / Purchased as the gift of the Print & Drawing Society, BMA 1983.76]

6. It’s been a treat to share a few of my favorites this week! If you’re interested in exploring more works on paper, consider making an appointment to visit the Samuel H. Kress Foundation Study Room of Prints, Drawings & Photographs by emailing PDP@artbma.org.

[Arthur Wesley Dow (American, 1857-1922) “Group of Buildings, Dow’s Compound, Ipswich,” /”Garden, Dow’s Home, Ipswich,” / “City Island, New York,” c. 1885-1897. Three cyanotypes. Gift of Susan Ehrens, Oakland, California, in Honor of Jay McKean Fisher, BMA 2015.343-345]

Which image is your favorite? Follow us on Instagram at @BaltimoreMuseumOfArt.

BMA Outpost finds Home in Remington, Upton neighborhoods

The BMA Outpost is the mobile museum of the Baltimore Museum of Art, a flexible and nomadic art making space that works with different communities across Baltimore City for three months at a time.

Every day the Outpost sets up, it builds a Museum around the idea of “Home” and encourages residents to contribute drawings, paintings, ideas, and conversations. It becomes a space where the unrecorded conversations and dialogue are just as important as the ideas documented and contributed through art.

This fall, the BMA Outpost has been in residence in the city’s Remington and Upton neighborhoods, working with Church of the Guardian Angel, R. House, and the Union Baptist Church as host sites.

The BMA Outpost at the Church of the Guardian Angel in Baltimore's Remington neighborhood.

BMA Outpost at the Church of the Guardian Angel in Baltimore’s Remington neighborhood.

Talking about the idea of home quickly becomes complex and loaded for everyone. Home is a relationship that can bring up feelings of happiness, confusion, anger, frustration, love, and everything else that could fall on the spectrum of human emotion.

Individuals can have many different associations with the idea, thinking about their nuclear family and place of residence, as well as a more expanded view of how they relate to their community. While our communities are constantly in flux and changing—sometimes for the better sometimes for the worse—art-making and dialogue can help us envision ideal futures and different realities.

Art can be a catalyst for us to ask, “What would a better future look like?” while also recognizing and honoring past histories.

In Remington, the Outpost has been working with Church of the Guardian Angel every Saturday from 10am to 2pm, in conjunction with the Church’s Thrift Store hours, as well as at R. House for “Remington Night” every Thursday from 3pm to 7pm.

Remington as a neighborhood has vastly changed in the last decade, with a major influx of development from companies like Seawall Development. As change happens rapidly, how does a community work together to envision a brighter future that includes everyone? The Outpost poses this question to Remington residents to encourage dialogue across the boundaries of age, gender, class, and others, to not only think about what that brighter future sounds and looks like, but to also develop real actions to move towards those goals. The Outpost strives to create a space for both agreement and dissent, as art-making can be a powerful tool to bring people together and find commonalities.

The BMA Outpost at Union Baptist Church in Baltimore's Upton neighborhood.

BMA Outpost at Union Baptist Church in Baltimore’s Upton neighborhood.

In Upton, the Union Baptist Church and the BMA Outpost have created a pop-up museum called “Art and Spirit,” which nods to the longstanding histories of the Upton neighborhood, the Church’s home since 1905.

The Upton neighborhood has deep ties and major contributions to African American liberation and autonomy, Civil Rights era activism, community building, and boasts many past residents and architectural structures of historical significance. Dr. Harvey Johnson’s pastoral and civic achievements, and the childhood home of Thurgood Marshall, the first African American individual to serve on the Supreme Court, are just pieces of Upton’s history.

Art and Spirit is inspired by past Soul Schools of the neighborhood, which were unofficial places of thought, organizing, and support in the Upton community. They were places where young people learned from their elders with a deep sense of community as the social fabric. Art and Spirit is a reflection of the creative community of the past, present, and future of Upton. Art and Spirit is open every Tuesday and Wednesday from 1pm to 5pm and Thursdays from 8am to 12pm.

BMA Outpost visitors with City Councilwoman Mary Pat Clarke in Remington.

BMA Outpost visitors with City Councilwoman Mary Pat Clarke in Remington.

The BMA Outpost’s collaborations with the Remington and Upton communities will culminate in an exhibition at R. House highlighting the work created. The exhibition will be on view and open to the public in December 2017.

Beginning in January 2018, the Outpost will begin new collaborations with the Cherry Hill Town Center in south Baltimore, and the Loch Raven VA Clinic in northeast Baltimore through March 2018.

Find the BMA Outpost online HERE.

(Author: Dave Eassa, Manager of Community Engagement at the BMA)