How do you make a path to power where none exists? How do you assess a community’s needs and create access and opportunities for self-determination?
Artist Mark Bradford and BMA Director Christopher Bedford explored these topics and more during the first event of our new series, The Necessity of Tomorrow(s).
On Saturday, November 11th, guests filled the pews of Union Baptist Church to hear Bradford discuss his childhood experiences and lessons learned, his artistic practice, and commitment to community-based work. Doors opened with live performances curated by the Baltimore-based group SunSets with spoken word by Kondwani Fidel and jazz selections by Clarence Ward III & Dat Feel Good band.
The conversation, which was also streamed live at Morgan State University’s Turpin-Lamb Theater, touched on the launch of our upcoming partnership with Bradford, the Greenmount West Community Center (GWCC), and Noisy Tenants to provide skills-based training and equipment to begin a silk-screening project at the GWCC with Baltimore youth.
The Necessity of Tomorrow(s), invites nationally and internationally acclaimed artists and thinkers to Baltimore for conversations on art, race, and justice. The series borrows its title from an essay by science fiction author Samuel Delany who argues for the role of creative speculation in making a more just future. The BMA is encouraging communities throughout Baltimore to come together for these creative conversations.
What’s your tomorrow? How do we get there? Share your thoughts at bmatomorrows.org.