The BMA acquires Magritte’s ‘Delusions of Grandeur’, 1967.

René Magritte. Delusions of Grandeur. 1967. The Baltimore Museum of Art: Gift of Sylvia de Cuevas, New York. BMA 2014.139

René Magritte. Delusions of Grandeur. 1967. The Baltimore Museum of Art: Gift of Sylvia de Cuevas, New York. BMA 2014.139

While we’re always excited to acquire new works of art, some additions to the collection are particularly meaningful. Today, we’re very pleased to share the news that René Magritte’s 1967 sculpture Delusions of Grandeur was recently added to our collection of modern art.

The work came to the BMA as a gift of National Trustee Sylvia de Cuevas, and is the first sculpture by Magritte to enter the collection. The Belgian artist created this monumental bronze during the last year of his life and there are very few casts of it. It will be displayed, beginning this week, in a gallery with works by Magritte’s contemporaries: Max Ernst, Alberto Giacometti, André Masson, and Joan Miró.

We are thrilled to welcome this remarkable sculpture into the BMA’s celebrated collection of modern art. This imaginative artwork so well represents Magritte’s unique vision and is sure to become one of the most memorable artworks on view here.
BMA Director Doreen Bolger

René Magritte (Belgian, 1898-1967) is best known for his surrealist paintings, which place ordinary objects in unusual contexts, often giving new meanings to familiar things. Delusions of Grandeur is one of a series of large bronzes that Magritte produced at the end of his life with the encouragement of his friend and dealer Alexander Iolas, who was the uncle of de Cuevas.

Much like his 1962 painting on the same theme, the work appears as a classical torso of a female figure emerging as though in telescopic form, or like a Russian matryoshka doll, each of the three segments nestled within one another. He has incorporated the theme of enlargement and reduction in this bronze with more of the figure seen in the smallest segment and less in the largest, creating a strong image of the female form.

Earlier this week, the Guardian published a piece on Magritte to mark the anniversary of his birth. Describing the artist as a “surrealist comic”, it explores the humor found in Magritte’s work. Does Delusions of Grandeur carry on this comedic tradition? You’ll have to come in and see for yourself.

Delusions of Grandeur is on display now at the BMA.

Leave a Reply

Your email address will not be published. Required fields are marked *