BMA Voices: “The Yellow Dress”, part two.

This is the second of four explorations into Henri Matisse’s “The Yellow Dress” by Jay Fisher, Deputy Director for Curatorial Affairs.

Featuring:

Henri Matisse. The Yellow Dress. 1929‑1931. The Baltimore Museum of Art: The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland, BMA 1950.256. © 2014 Succession H. Matisse/Artists Rights Society (ARS), New York

Henri Matisse (French, 1869‑1954). Study for “The Yellow Dress”. 1929‑1931. The Baltimore Museum of Art: Gift of Bernice and Donald Levinson in Memory of their Daughter, Nancy, BMA 2001.336. © 2013 Succession H. Matisse/Artists Rights Society (ARS), New York

Henri Matisse (French, 1869‑1954). Study for “The Yellow Dress”. c. 1929‑1931. The Baltimore Museum of Art: Marguerite Matisse Duthuit Collection, BMA 2008.22. © 2013 Succession H. Matisse/Artists Rights Society (ARS), New York

Henri Matisse. Odalisque with Green Sash. 1926. The Baltimore Museum of Art: The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland, BMA 1950.253. © 2013 Succession H. Matisse/Artists Rights Society (ARS), New York

Henri Matisse. Seated Odalisque, Left Knee Bent, Ornamental Background and Checkerboard. 1928. The Baltimore Museum of Art: The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland, BMA 1950.255. © 2013 Succession H. Matisse/Artists Rights Society (ARS), New York

Henri Matisse. The Yellow Dress. 1929 1931. The Baltimore Museum of Art: The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland, BMA 1950.256. © 2014 Succession H. Matisse/Artists Rights Society (ARS), New York

Henri Matisse. The Yellow Dress. 1929 1931. The Baltimore Museum of Art: The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland, BMA 1950.256. © 2014 Succession H. Matisse/Artists Rights Society (ARS), New York

BMA Voices is an insider’s exploration of The Baltimore Museum of Art collection through the eyes of its curators, conservators, and registrars. Featuring a new object every day during the BMA’s 100 Day Celebration, the project will highlight some favorite, amusing, unusual, and obscure objects.

Reproduction, including downloading of Henri Matisse works is prohibited by copyright laws and international conventions without the express written permission of Artists Rights Society (ARS), New York.

4 thoughts on “BMA Voices: “The Yellow Dress”, part two.

  1. mary jo gordon

    It is very interesting to know the so much about drawings that precede the paintings and how that whole process develops and is different for each painting.

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  2. mary jo gordon

    It is very interesting to see drawings that precede the paintings and how t is different for each painting.

    Vote(0)
    Reply
  3. Pingback: BMA Voices: “The Yellow Dress”, part four. | BMA Blog

  4. Pingback: BMA Voices: “The Yellow Dress”, part three. | BMA Blog

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