BMA Voices: “The Yellow Dress”, part three.

This is the third of four explorations into Henri Matisse’s The Yellow Dress by Jay Fisher, Deputy Director for Curatorial Affairs. In part one, we find out more about Matisse’s process, and discover how this dress relates to his history and life. In part two, we see some of the studies for the painting, and learn more about other related works. 

In this episode, we look at two paintings that followed The Yellow Dress, to see how Matisse’s work developed after this important piece.

Featuring:

Henri Matisse. Large Reclining Nude. 1935. The Baltimore Museum of Art: The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland, BMA 1950.258. © 2013 Succession H. Matisse/Artists Rights Society (ARS), New York

Henri Matisse. Interior with Dog. 1934. The Baltimore Museum of Art: The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland, BMA 1950.257. © 2013 Succession H. Matisse/Artists Rights Society (ARS), New York

BMA Voices is an insider’s exploration of The Baltimore Museum of Art collection through the eyes of its curators, conservators, and registrars. Featuring a new object every day during the BMA’s 100 Day Celebration, the project will highlight some favorite, amusing, unusual, and obscure objects.

Reproduction, including downloading of Henri Matisse works is prohibited by copyright laws and international conventions without the express written permission of Artists Rights Society (ARS), New York.

One thought on “BMA Voices: “The Yellow Dress”, part three.

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