BMA Voices: “The Yellow Dress”, part four.

Henri Matisse. The Yellow Dress. 1929 1931. The Baltimore Museum of Art: The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland, BMA 1950.256. © 2014 Succession H. Matisse/Artists Rights Society (ARS), New York

Henri Matisse. The Yellow Dress. 1929 1931. The Baltimore Museum of Art: The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland, BMA 1950.256. © 2014 Succession H. Matisse/Artists Rights Society (ARS), New York

This is the final of four explorations into Henri Matisse’s “The Yellow Dress” by Jay Fisher, Deputy Director for Curatorial Affairs. In this piece, we consider the collector. How did The Yellow Dress come to Baltimore, and become part of the BMA’s collection? And what does that tell us about Matisse?

Review the previous videos in this series: In part one, we find out more about Matisse’s process, and discover how this dress relates to his history and life. In part two, we see some of the studies for the painting, and learn more about other related works. Part three shows us two paintings that followed The Yellow Dress, to see how Matisse’s work developed after this important piece.

BMA Voices is an insider’s exploration of The Baltimore Museum of Art collection through the eyes of its curators, conservators, and registrars. Featuring a new object every day during the BMA’s 100 Day Celebration, the project will highlight some favorite, amusing, unusual, and obscure objects.

Reproduction, including downloading of Henri Matisse works is prohibited by copyright laws and international conventions without the express written permission of Artists Rights Society (ARS), New York.

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