In Fall 2013, one of the BMA’s most iconic works – Bruce Nauman’s Violins Violence Silence – was removed from its place on the BMA’s East Wing. Over time, natural wear and tear had begun to take their toll on the piece, so in consultation with the Bruce Nauman studio and the BMA’s conservation and curatorial staff, the sculpture was removed from its normal location, in order that it could be refabricated with more up-to-date and durable neon technology.
The large piece was Nauman’s first public neon work, and it came to the BMA as a gift of the artist’s galleries, in recognition of the Museum’s pioneering 1982 exhibition Bruce Nauman: Neons – the first survey of the artist’s works in that medium. Wrapped around a corner of the BMA’s façade, the words Violins Violence Silence share letters and form a poetic string of similar sounds. The meanings of the individual words appear unrelated, suggesting that the physical structure behind verbal communication can be surprisingly arbitrary. Alternatively, read as a sequence describing cause and effect, the work relates an aggressive act against art and beauty, and the somber consequence.
To celebrate the 30th anniversary of the gift of Violins Violence Silence and the 100th anniversary of the Museum in 2014, the BMA’s Friends of Modern and Contemporary Art (FoMaCA) organized a series of events to raise the $120,000 needed to restore the beacon-like presence of this 20th-century masterpiece to the BMA and the city of Baltimore.
This summer, the newly refabricated Violins Violence Silence will be restored to its former home on the East Wing of the BMA. See more shots of the deinstallation on Flickr.
To mark the occasion, the BMA is tonight hosting Illuminating Bruce Nauman’s Career and Influence, a special event moderated by Curator of Contemporary Art Kristen Hileman. The lively discussion will bring together Juliet Myers, Bruce Nauman Studio Manager for the past three decades; Paul Schimmel, former Chief Curator of The Museum of Contemporary Art, Los Angeles and Vice President and Partner of Hauser Wirth & Schimmel gallery whose essay Pay Attention appeared in the 1994 Nauman retrospective catalog; and Peter Plagens, celebrated art critic, Newsweek Contributing Editor, and author of the new biography, Bruce Nauman: The True Artist. Plagens currently contributes to The Washington Post, The New York Times, and The Los Angeles Times among several other prominent publications.
Illuminating Bruce Nauman’s Career and Influence is on tonight, Thursday, June 12, 6 p.m. The event will be held at Notre Dame of Maryland University’s Knott Auditorium, 4701 N. Charles Street, Baltimore. Use campus entrance on Homeland Avenue for easier access to parking. Entry is $15 FoMaCA Members, $20 general admission. Free at the door for students with ID.